Did Sergei Bulgakov Read Søren Kierkegaard?

This morning I was looking up a passage from Bulgakov’s 1917 foray into theology, The Unfading Lightwhen I happened upon the following passage:

Moreover, religion, which some wish to reduce entirely to ethics, in its integrity is higher than ethics and hence free from it: ethics exists for the human being in certain bounds such as law, but the human being must be able to rise above even ethics. Let them ponder the sense of those stories of the Bible when God, for the purposes of religious economy, or for testing faith, permitted or even ordered acts that wittingly contradict morality: the sacrifice of an only son, the bloody extermination of whole nations, deceit, and theft.

What Bulgakov says here about ethics, and mention of the sacrifice of Isaac, should raise the eyebrows of anyone who has read Kierkegaard’s Fear and Trembling. Did Bulgakov get this from Kierkegaard? Or did he stumble into the teleological suspension of the ethical by accident? This is more than a point of curiosity for me. Those of us who try to figure out what dead people were thinking benefit greatly from knowing who they were reading. Unfortunately, Orthodox theologians in the past did not always cite their western sources, and even more unfortunately, most of what Bulgakov did footnote, Eerdman’s publishing decided wasn’t worth printing. But don’t get me started on that.

I really would like this question answered. So “Like” this post and share it with all your Russian friends.

Follow me at @DrDavidJDunn.

Concerns about the Great and Holy Council

The First Council of Nicaea
The First Council of Nicaea

Soon the Orthodox Church will convoke a Great and Holy Council, the first such council in over a millennium. Though by no means ecumenical in any official sense (at least not yet), it is a historic meeting, for which I have felt a deep and abiding ambivalence.

I am a convert to the Orthodox Church. Unlike many converts, I did not see the deep and rich traditions of the Orthodox Church as providing me with resources to be more fundamentalistic than I was before (such as I hear creationists citing Basil as proof of a young earth). I was never a fundamentalist. What attracted me to Orthodoxy was the ambiguity of it all, which is another way of saying Mystery. Jaroslav Pelikan, another convert, described Orthodoxy as the church of the seven councils that we deem ecumenical. We have a lot of other canons, synods, traditions, and opinions, but they are not finally and firmly authoritative in the same way that those minimum of dogmas are.

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Sergei Bulgakov on Pens and Supernovas

A youngish not-priest Bulgakov
A youngish not-priest Bulgakov

The other night, my wife happened to dig up an old notebook. I flipped through its pages and happened upon this quotation from Sergei Bulgakov:

My moving my pen on a piece of paper, thus redistributing the atoms of ink, paper, the steel of the pen, and so on, is in principle just such a cosmic event as astronomical or geological catastrophes, though perhaps of lesser force (and even this is not certain, for we cannot measure these two events against each other).

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God’s Free Necessity: One Way Jonathan Edwards is Like Sergei Bulgakov

I recently submitted an invited chapter for a book called, The Ecumenical Edwards. The following (slightly edited) excerpt observes how Jonathan Edwards’s thoughts about the will comport with Bulgakov’s view that freedom and necessity are united in God, particularly when it comes to the “decision” to create.   Continue reading “God’s Free Necessity: One Way Jonathan Edwards is Like Sergei Bulgakov”

The Kingdoms of God and Constantine

So now I am going to sum up Part II of Orthodoxy without Empire. Last time I talked about the church-culture limen and two inadequate ways of relating to it. In Part II, I argue that a more coherent account of this limen can actually be found in the rubble of the Byzantine Empire. I know that sounds counterintuitive when you consider that one of the options I criticize is a kind of neo-imperialism, but hear me out, because I think what I am working toward is actually an anti-imperialistic. It’s this socio-political ideal called symphonia.

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